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	Comments on: Top 100 Movies of All Time Deer Hunter	</title>
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	<description>Movies, Books &#38; TV for people who like to think..</description>
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		<title>
		By: Fire Zhou		</title>
		<link>https://taylorholmes.com/2021/07/15/top-100-movies-of-all-time-deer-hunter-2/#comment-1194926</link>

		<dc:creator><![CDATA[Fire Zhou]]></dc:creator>
		<pubDate>Fri, 27 Mar 2026 13:25:07 +0000</pubDate>
		<guid isPermaLink="false">https://taylorholmes.com/?p=24615#comment-1194926</guid>

					<description><![CDATA[The article&#039;s deep dive into the emotional weight of *The Deer Hunter* makes a compelling case for its place in the canon, though I wonder if it underestimates how much the film&#039;s impact relies on its unflinching sound design and use of silence. That tension between dialogue and absence is something I&#039;ve been exploring through subtitle timing and pacing—how what&#039;s not said can be just as carefully scripted as what is. For anyone interested, https://subtitleops.com has some related resources on this, especially around how subtitles can either preserve or flatten those subtle cinematic rhythms.]]></description>
			<content:encoded><![CDATA[<p>The article&#8217;s deep dive into the emotional weight of *The Deer Hunter* makes a compelling case for its place in the canon, though I wonder if it underestimates how much the film&#8217;s impact relies on its unflinching sound design and use of silence. That tension between dialogue and absence is something I&#8217;ve been exploring through subtitle timing and pacing—how what&#8217;s not said can be just as carefully scripted as what is. For anyone interested, <a href="https://subtitleops.com" rel="nofollow ugc">https://subtitleops.com</a> has some related resources on this, especially around how subtitles can either preserve or flatten those subtle cinematic rhythms.</p>
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