Blink Twice Movie Discussion on Forgetting - a movie so convoluted it's intriguing to try and make sense of it together.

Blink Twice Movie Discussion on Forgetting

Blink Twice Movie Discussion on Forgetting
Screenplay
85
Acting
90
Mindjobness
100
Action
95
Directing
90
Reader Rating0 Votes
0
92

Blink Twice Movie Discussion on Forgetting. I’m still unsure if I like LIKED Blink Twice. When I first walked out of the theater I hated it. The next day, I was ambivalent. A few days later… hey… I think I understand what the film was doing there! CLEVER! But Blink Twice is the kind of movie that keeps you on the edge of your seat, constantly questioning what’s real and what’s imagined, and at the end of the film, you are going to be conflicted. That much is for sure. Directed by indie filmmaker Sam Turner, this psychological thriller unravels layers of mystery while exploring the fragile line between sanity and madness. While it’s not a perfect film, its relentless tension and gripping performances make it a worthy addition to the psychological thriller genre.

I will say this – Blink Twice deserves it’s mindjob moniker. Totally deserved, that is for sure. It’s a film that plays cat and mouse with the audience until the final frame. If you’re someone who enjoys a movie that twists your brain into knots and keeps you glued to the screen, then this is it. In her Directorial debut Zoë Kravitz is obviously having fun with this one. This flick dives deep into the dark side of luxury, privilege, and manipulation. So, buckle up as we dive into this wild ride!

Let’s Walk Through Blink Twice

The movie kicks off with what seems like a typical luxurious getaway—tech billionaire Slater King (Channing Tatum) invites cocktail waitress Frida (Naomi Ackie) and her friend Jess (Alia Shawkat) to his private island after a charity gala. At first glance, it’s all sun-soaked beaches, wild parties, and champagne toasts. But we all know better, right? Things quickly take a turn for the sinister, as strange events start piling up, and Frida becomes suspicious that this paradise is hiding something much darker.

Now, here’s the thing—this movie isn’t your typical thriller. Blink Twice enjoys messing with your head in the best way possible. Early on, we start seeing flashes of memory, unexplained occurrences, and a feeling of dread that only grows stronger as the movie progresses. It’s like Shutter Island meets Gone Girl but with even more psychological twists that make you question what’s real and what isn’t. Kravitz does a really nice job making us question everything we see on screen.

As the story unfolds, Frida’s suspicions intensify when she realizes that she and the other women on the island are being drugged with a mysterious perfume that makes them forget everything that happens at night. The twist? The men are using this amnesia to commit heinous acts, and every morning the women wake up blissfully unaware. It’s terrifying, disturbing, and all too believable—a sharp commentary on power dynamics and how wealth can distort reality. Frida and fellow guest Sarah (played by Adria Arjona) band together to uncover the truth and plan their escape.

But, oh boy, Blink Twice isn’t done with you yet. Just when you think you’ve got it all figured out, the movie throws a curve-ball that hits you right between the eyes. As Frida digs deeper, she finds out that this isn’t the first time she’s been on the island—she’s lived through this horror show before, only to have her memory wiped clean. (Echo – “Forgetting is a gift.”) And now, she’s caught in a web of manipulation and trauma that she knows that she can’t escape from.

Let’s talk about the performances, shall we? Naomi Ackie absolutely kills it as Frida. She brings a blend of vulnerability and determination to the role that makes her character both relatable and deeply compelling. Her chemistry with Channing Tatum is electric, but it’s her scenes with Adria Arjona that really stand out—two women trying to reclaim their agency in the face of overwhelming odds. Channing Tatum, on the other hand, gives us a villain who’s all the more terrifying because of how charming and seemingly harmless he is. It’s a far cry from his usual roles, and he nails it.

But the real star here is Zoë Kravitz. For a first-time director, she shows an incredible command of the material, balancing suspense with social commentary, and making us care deeply about these characters even as the plot twists our minds into pretzels. The script is razor-sharp, and the cinematography—oh man, the cinematography! The island setting is both beautiful and menacing, and the way Kravitz frames the action makes every scene drip with tension.

As the movie barrels toward its climax, we see Frida’s ultimate act of revenge. She doesn’t just survive—she thrives. She turns the tables on Slater by drugging him with the same perfume, slowly dismantling his life piece by piece while taking over his company and his fortune. It’s a satisfying yet haunting conclusion that leaves you questioning who the real villain is.

Blink Twice Movie Discussion on Forgetting

But is forgetting synonymous with forgiveness? With a tabula rasa? Is it even anything remotely close to the idea of restoration and wholeness? No. Absolutely not. And the audience knows this inherently. Which is why we all collectively gasped when this bastage tells this to our heroine… “Forgetting is a Gift.” Is it? Really? A gift to not know that you have been abused by the rich? Abused by the strong? No. And yet, some in society today like to bandy about the idea of ignorance as being synonymous with bliss. But we all know that’s a lie. Which is why the ending is so fantastic, to watch as the tables are finally turned.

If you’re a fan of indie thrillers that make you think (and let’s be honest, if you’re here at TaylorHolmes.com, you probably are), then Blink Twice is an absolute must-watch. It’s a smart, sharp, and deeply unsettling film that will stick with you long after the credits roll. Zoë Kravitz has proven herself to be a filmmaker to watch, and I, for one, can’t wait to see what she does next.